You'll want to be in a headspace that's conducive to taking in lyrics; if you find language fun — the manipulation of syllables, the pairing of unlikely sentencefellows — you'll have a good time. The idea of my stuff is to wring as much of that mystical liquid out of words as possible: their comedy, their tragedy, the ways they accurately depict our world and the ways they fall short. I'm not afraid to call it Dylanesque.